Thursday, September 17, 2015

Ebook-Download The Wife's Tale: A Personal History, by Aida Edemariam

Ebook-Download The Wife's Tale: A Personal History, by Aida Edemariam

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The Wife's Tale: A Personal History, by Aida Edemariam

The Wife's Tale: A Personal History, by Aida Edemariam


The Wife's Tale: A Personal History, by Aida Edemariam


Ebook-Download The Wife's Tale: A Personal History, by Aida Edemariam

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The Wife's Tale: A Personal History, by Aida Edemariam

Pressestimmen

`The power of Aida Endemariam's writing is precisely its ability to reach across the gaping chasm formed by time, alien tradition and unfamiliar mores, connecting up our common humanity' Michela Wrong, New Statesman `Extraordinary vivid "personal history"... Edemariam not only brings her grandmother to life but also conveys the complexity of a unique, still strongly religious African culture' Andrew Lycett, Literary Review `To read The Wife's Tale is not just to hear about times past and (for a western reader) far away, but to be transported into them' Lucy Hughes-Hallett, New Statesman `The Wife's Tale is unique, above all for its brilliant combination of big historical vistas with vivid physical details of life in Ethiopia ... It is an exceptional biography' Richard Holmes `The story of Edemariam's grandmother is a sweeping tale of Ethiopia's history in the 20th century and a highly personal tribute to one woman's life ... It's wonderful' Emerald Street `What brings this narrative flaring to life, though, is not the rigour of its research but its imagination and novelistic tone; Edemariam's prose climbs inside Yetemegnu's memories to inhabit them and bring her solidly, vividly, to life' Arifa Akbar, Observer `Outstanding and unusual memoir ... The Wife's Tale is told with the turns and twists of a novel, layered with dialogue and stories' Nilanjana Roy, Financial Times `The Wife's Tale is a remarkable achievement: meticuliously researched, finely wrought and deeply felt, it is the story of one woman's life lived, not so much against the backdrop of history, but in the midst of it' Aminatta Forna, author of The Memory of Love `This account of the life of Aida Edemariam's grandmother is embellished with the author's fiery imagination and her deep reading about Ethiopia's history...It's a book that gets under the skin' Ysenda Maxtone Graham, The Times `A window into a world that would otherwise be invisible to us' Abraham Verghese, author of Cutting for Stone

Über den Autor und weitere Mitwirkende

AIDA EDEMARIAM, who is of dual Ethiopian and Canadian heritage, grew up in Addis Ababa, Ethiopia. She studied English literature at Oxford University and the University of Toronto, and has worked as a journalist in New York, Toronto and London, where she is currently a senior feature writer and editor for the Guardian. She is a recipient of a Royal Society of Literature Jerwood Award for a work of non-fiction in progress, and lives in Oxford.

Produktinformation

Taschenbuch: 352 Seiten

Verlag: HarperCollins Publishers (19. Februar 2018)

Sprache: Englisch

ISBN-10: 9780008191757

ISBN-13: 978-0008191757

ASIN: 0008191751

Größe und/oder Gewicht:

13,5 x 2,5 x 21,6 cm

Durchschnittliche Kundenbewertung:

Schreiben Sie die erste Bewertung

Amazon Bestseller-Rang:

Nr. 72.749 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

All the reviews I’ve read of the Wife’s Tale (The Guardian, The Financial Times, etc.) focus on what I think are minor themes in the book—the history of Ethiopia, the author’s effort to connect to her roots and the visceral feel of village life. Here, I am going to proffer what I think is the real theme of this work—but I am a data scientist and not a English major so my understanding might be completely erroneous.The title The Wife’s Tale is originally one of the Canterbury Tales in which a knight is sent on a quest to discover what women want. He finally achieves an answer in learning that they want mastery of their husbands.This Wife’s Tale begins with Yetemegnu, the real life protagonist, being as far from mastery over her husband as possible—she is a child bride. Symbolically, she is not even permitted to hear a beloved drum at her wedding because of an Ethiopian superstition.Even as she grows into a young woman with children of her own she is completely lorded over by her husband—amidst being forced to stay inside her house and beatings she is hardly able to even claim mastery of herself.All the while she prays to the supreme image of womanhood, Mary the mother of Jesus. According to tradition, Mary was entrusted to the Jewish temple in childhood making her Yetemegnu’s companion in not having the normal joys of youth. Like Yetemegnu she is married at an early age. And like Yetemegnu her part in life is largely defined by her relation to her offspring.Yet, as decades pass and Ethiopia experiences an Italian invasion, a return to monarchy and then Marxism, Yetemegnu begins to assert more control over her life. Her husband is first imprisoned and then dies leaving her with responsibility for the household. Her children grow up and lead modern lives in choosing their own spouses, personal careers and emigration to first world countries.After living nearly a century, Yetemegnu passes away and is given an elaborate funeral with hundreds of priests, government officials and the leading men of her region of Ethiopia. And, at last, a drum is played. She has finally attained the sovereignty over men denied to her in life.St. Mary too, in Christian tradition, was assumed into heaven where she became queen and mother of all the living. Catholic and Orthodox Christians recognize her as the saint of saints and implore her intercession more than any other personage save her son.Here, the parallel reaches its culmination. Yetemegnu, who throughout the book weaves her speech and life with that of St. Mary’s, now achieves, paradoxically, the relief from servitude that followed her during her earthly life. The title of The Wife’s Tale could not be more apt.Again, this is somewhat of a speculative interpretation—and may be over bold from someone with neither a degree in literature or religious studies—but the way in which the author inserts passages from the life of Mary into the book and rather overtly draws these parallels makes me confident this interpretation is consonant with the intention of the author.Yes, the language is poetic and visceral and the book is set in a time and place few in the West understand. But the book is not called A Woman of Ethiopia but The Wife’s Tale. The major theme is a traditional and religious woman’s quest to grow out of extreme servitude into a person who is master of her own life and the lives of those entrusted to her.It is this different but interesting take on feminism that makes this so much more than just a trip to an exotic place. Whether one agrees with this type of feminism or not it is important that feminist voices are heard not only from first world countries. A Wife’s Tale is an unrecognized vision of what feminism can be.

I love the way the author connects the reader with the various aspects of Ethiopia and Ethiopian culture. The differences may be significant, but she puts us into that world and I soon felt connected to the author's grandmother and her family. And I learned so much, not just about the main character but about the history and culture of Ethiopia! I discovered how little I knew, and it was a truly wonderful experience!

I didn't realize until the end that the book was written by the main character's grand-daughter and that it was a memoir of this family. It was written from the vantage point of the Ethiopian "wife". Offered valuable insights into that culture. I read it on a kindle but in paperback, one would have known about the glossary at the end.

I read this in preparation for a reunion of Peace Corps volunteers who'd served in Ethiopia. The book evoked memories of Ethiopian highland culture that was shared by people in a different tribe elsewhere in the country. I found it helpful in providing details about the events following the overthrow of Haile Selassie. The author did a nice job of blending her grandmother's memories with her own.

A first rate chronicle of lesser known country and its travails during the middle of the 20th century, written as a first person experience by the author's grandmother

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